Swedish
singer/songwriter Jens Lekman, released his album ‘Night Over Kortedala’ back
in 2007. Lekman mostly talks about girls and feeling alone. The sequencing of
the album perfect, “And I remember every kiss” feels like a slow version of
“Sipping on Sweet nectar.” Therefore, playing them first and second, sipping
feels like playing every “kiss” speed up. I find the orchestral arrangements
precise and tense. Sipping, on the other hand, is the one of the best songs
I’ve heard all year. It echoes the base line from the Tough Alliance,”Koka Kola
veins.” However, it is more bombastic as it features heavy instrumental
orchestra. There’s a tight rhythm section as it feels that all the elements are
working together. I really enjoyed on 1.57 Lekman plays three notes in a
descending order each one getting more acute. “So I called back Lisa cause
she’s my only friend.” This lyric by Lekman feels the most powerful. It seems
like Lekman’s album is about optimism in the face as loneliness. Lisa tells him
“you gotta start.”
Obviously,
“A Postcard to Nina’ is one of the standouts of the album, the constant use of xylophones
makes the song really appealing, the slow bass reminds me of Pet Sounds. The
story is amazing, an honest reflection of real life. It captures the
intricacies of real life, so what if a catholic man had a lesbian daughter?
People don’t really think about those complex relationships that might
organically arise in the diverse world we live in. However, Lekman keeps
himself supportive “I can be your boyfriend so you can stay with your
girlfriend.” All these “What if” scenarios make the real world what it is; a
complicated place where there are no perfect families. Complicated situations can
arise anytime as Lekman tells Nina, “your father is a sweet old man but its
hard for him to understand.” Nina’s dad has the best intentions for her
daughter to get married to man. However, because of her sexual orientation, that
path is not possible. Lekman’s decisiveness
has an effect on me, as he says “If it puts an end to all these nonsense.” Moral
issues should be solve with this same decisiveness. Lekman strongly believes in
principles of equality and acceptance.
The
other fascinating song on the album is, “I am leaving you because I don’t love
you anymore.” Lekman opens with an intro straight out of Elliot’s Smith “Figure
8.” He plays a bouncy piano that mainly sounds high pitch. There’s also an
ambulance sound that gives me images of NYC in the disco era. Or like opening
and old jingle tunes box and letting it play. This song feels very danceable
but also sad. Sadness or melancholy is the overall theme of the album. My own
personal interpretation is that the human world is a sad reality. However,
Lekman responds to this sadness with conviction, “Don’t let anyone stand in
your way.”
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